- How long have you been writing?
In addition to Incidental Daughter, I’ve written a couple of film scripts and award-winning play scripts in the last seven years. However, I’ve been writing since I was in the seventh grade and have taught writing since 1985.
- How long have you been a published author?
Incidental Daughter is my debut novel.
- What titles do you have available?
Incidental Daughter is my only title at this time. I just brought it out in January.
- What made you choose the subject of this book?
Growing up, I learned there were a few of us who might be termed WWII collateral damage—the offspring of women and innocent young men who went off to war. None of these women expected to become mothers; the stresses and uncertainties of war spurred them to compassion for the men who feared they would not return. Some men did not return, but others did. A few mothers, because of a feeling of betrayal or for whatever reason, chose to turn their backs on the men who in one night had drastically changed their lives.
Some of the children of these single mothers grew up to live normal lives while others faced challenges that either crippled them or honed them into very successful people. The years following WWII harbored secrecy; many of these children were told their fathers died in the war. When they grew old enough to see through the lie, they could still elicit very little information about their fathers. Such were the times.
I chose to tell the story of one child, Liz Michaels, who overcame her trials with the help of compassionate friends. I decided to explore what might happen if at the peak of her career, she loses a child and her marriage fails. Then I decided to throw in a few curves from the past that could ironically lead to the love and family that has always been out of reach. I’ve been asked if this story is autobiographical. No, it’s pure fiction, but many born into the same circumstances as Liz will see themselves in it and, perhaps, be inspired.
- Do you have any new titles coming soon? Will you be venturing into the area of fiction anytime soon?
Most people would say I’m shooting myself in the foot with my next project and that I should continue to build my platform by writing in the same genre. However, true to my habit of rebelling against expectations, my next novel will be a young adult science fiction novel, working title Catching Air. Young Chet Hain, saddled with phobias because of a car accident that took the lives of his older brother and later his father when they were driving him to a skateboarding contest, must, seven years later, deal with the mystery of who is watching his home. His discovery of the mystery watcher leads him into a world where appearances are not what they seem, where a powerful and dangerous conspiracy continually strives to derail research and development into free energy.
- What is your favourite genre and why?
I enjoy reading mysteries, especially the works of James Lee Burke. I also enjoy paranormal and science fiction novels. I plan to write more young adult sci-fi and paranormal novels in the future. Catching Air will likely have a sequel.
- What, to you, is the most exciting part of the writing process?
Finalizing the last draft and designing the book for publication.
- If you could co-author a book with anyone, who would you choose and why?
Because I could learn so much from him, I’d choose James Lee Burke. He plots so well, his characters are complex, and his details put you right in the story. I also like the way he hints at the paranormal in some of his books.
- Where can readers find you on the web?
Visit me at
About the Author:
Val Stasik shares a home in eternally sunny Santa Fe, NM, with her aging mixed terrier, Sugar, who allows her to sleep in his queen-size bed as well as sharpen her culinary skills for his benefit. Stasik spent many years as a writing teacher, helping other writers find their voice and tell their stories, and is a consultant for the Northern Virginia Writing Project.
INCIDENTAL DAUGHTER is Stasik’s debut novel. Stasik studied drama and English at the University of Pittsburgh and then transferred to the University of Maryland, College Park, graduating with high honors and a B.S. in Secondary Education, Communication. The year she attended graduate school was filled with student protests, bomb threats, and military helicopters.
Stasik became an editorial assistant for THE PHARMACOLOGIST in Bethesda. She then moved to Harpers Ferry where she taught for five years and participated in the Old Opera House Theatre onstage and behind the scenes. In Harrisburg, PA, she became a groom and mutuels clerk at Penn National Race Track and, later, a commercial lines underwriter for Pennsylvania National Mutual Casualty Insurance Company. Right before her son was born, Three Mile Island happened. So far, neither glows in the dark. In Virginia, Stasik enjoyed the enriching experience of teaching writing and literature in the Loudoun County Public School system, instructed other teachers in assessing student writings, and helped develop various English curricula. She also participated in the Fauquier Community Theatre on and off stage. From 2002-2004, she developed a part-time hypnosis practice. She then retired to Santa Fe where she has been writing—a few film scripts that have been produced (Café Destiny, on the Web, Spring 2013, www.cafe-destiny.com) and a couple of award-winning play scripts. Stasik is currently a member of the New Mexico Book Association, the New Mexico Book Co-Op; Southwest Writers; the Independent Book Publishers Association; the Small Publishers’ Association of North America; the Small Publishers, Artists, and Writers Network; and Pennwriters.
About the Book:
When successful publisher Liz Michaels’ marriage to blue blood, Addison Tiffin Payne, fails after the loss of their baby and his growing alcoholism, she pours all her creative energy and passion into her work and finds comfort in her friendship with the co-owners of her company as well as the appearances of the spirits of her Polish mother and grandmother, who never speak except in dreams she cannot remember.
Only her feelings from those dreams linger. When Liz’s ex-husband plans to stage her suicide by pushing her off the balcony of her high-rise home in order to collect on a life insurance policy, he topples to his death instead. When the police arrive, Liz, the potential victim, becomes the prime murder suspect. She meets Pittsburgh Police Detective Jim Shannon, who may threaten her freedom or possibly gain her love. Her life is further complicated by her former mother-in-law’s attempts to destroy her reputation and damage her career. Her swirling feelings are complicated by the simultaneous appearance of a talented, familiar-looking intern at her workplace. He turns out to be her half-brother, but he is unaware of their connection. Although Liz is finished with a past that included a botched meeting with her biological father, the past is not done with her, for the intern and Shannon link her to that past. The cause of her ex-husband’s death is determined and Shannon and his partner, Santello, arrest the person responsible for what led to his death.
Internal conflict is soon compounded by external threats created by her former mother-in-law as well as someone seeking revenge on Shannon and his fellow detective. Just as Shannon and Liz are getting better acquainted, he is gunned downed, but survives. When Liz is leaving Shannon’s hospital room, she passes a woman whom she doesn’t realize is her dead father’s wife. The woman, Eileen, is also Shannon’s sister and notices the resemblance to her dead husband. Eileen did not learn of the existence of her husband’s daughter until after his death. This encounter sets in motion a series of touchy revelations and family get-togethers. All seems to be going well until Payne’s grieving mother decides to make Liz pay for Payne’s death. Warned by the mother’s housekeeper, Detective Santello and another detective rush to Liz’s office. In the shootout, Payne’s mother is killed but not before killing Santello who took the bullet meant for Liz. Will Liz be destroyed by this vortex, or will she use the crisis to open the door to a second chance at love and family?
A FAMILIAR BELLOWING in the outer office captured Liz Michael’s attention. She slipped the contract for the purchase of William Penn Press back into its folder and navigated through the precisely-stacked piles of manuscripts to lift a slat of the blinds covering the door and floor-to-ceiling windows that faced the outer office. Addy Payne strained toward Mandy, pounded her desk, and demanded to see Liz. Paper clips, pens, and papers flew off her desk like hard rain. Liz glanced at her watch.
Only 2:17, but the flush of booze had already spread from her ex-husband’s face to his scalp in sharp contrast to his sleek, white-blond hair. This bloated caricature was not the man she had once loved.
She shook her head. No, she could not possibly have fallen in love with that. As he headed for her office, trailed by Mandy, Liz considered escaping through the other door in her office, but she knew he’d keep coming back—best to deal with him now. She whirled back to her desk, sat, and pretended to peruse the documents in the William Penn Press folder. Addy whipped the door open, but held it, and peered at Mandy as though she were the intruder. Mandy’s hazel eyes pleaded with Liz, and she shrugged her plump shoulders.
“It’s okay, Mandy. Call Miriam and tell her I’ll have the contract ready for her before four.” Mandy scurried out of the room like a rabbit frantic for cover. Addy smiled, shook his head, and closed the door. He removed a stack of manuscripts from a tan guest chair, sat, and adjusted his perfectly pressed pants.
“You look well,” he said. Liz stood, marched to the blinds, and opened them. Mandy glanced up from her phone call to Miriam and nodded her readiness to call security at Liz’s signal. Liz returned to her desk, sat, folded her hands, and calmly stared at him a moment.
“What brings you here today, Addy?” He glanced back at the open blinds, raised his brows, and looked back at her with a slow, feline smile. “What? No ‘How are you? It’s good to see you, Addy.’” Liz stared back at him, unsmiling.
He shook his head. “Poor sales technique, Lizzie.”
“I’m not selling anything. What do you want? I’m busy.” Addy glanced at the stacks of manuscripts and nodded.
“I can see that. You used to be a lot neater.” She continued to stare. He relaxed back into the chair, placed a leg over his knee, and rested his hands on the arms of the chair in one graceful movement.
He considered her a moment. “I need money.”
“You’re wasting my time. Get a job.” His gray eyes darkened. “Pittsburgh isn’t exactly the center of the advertising world.”
“Not my problem. I told you the last time, no more loans―as if I’ll ever see the money I’ve already given you.” She cocked her head to one side. “Tell me, Addy, whatever happened to all of your contacts? Why don’t you go to your family?”
He looked away from her and studied the awards on one wall and then the print of Cassatt’s The Boating Party on the opposite wall. The muffled ring of Mandy’s phone in the outer office underscored the silence. “They don’t know, do they? They think you’re still the Great Ad Man, pulling off one outrageous magic trick after another.” He returned his gaze to her. “I want to start my own agency.”
She gave him a tight-lipped smile and shook her head. “You don’t know you’ve dropped off the edge, do you? You had quite a run taking risks with your accounts. . . . Oh, you had us all fooled. Me. Your clients. We thought your three-martini lunches fueled your success, till your lack of follow-through took everything south. . . . Lay off the booze, Addy. Then go to New York, LA, Chicago. Find a job with an agency where they don’t know you.”
His whole body deflated. “It’s been too long since the last job. Even if I were hired, I’d have to start at the bottom.”
Liz leaned back in her chair. “Screwed everybody who could give you a good reference, huh? Why don’t you try something else? Maybe banking? Or drive a cab? Who knows? You could end up head of the company.”
He looked worse than he had the last time if that was possible. Now that he was sitting across from her, she could see tiny veins were beginning to sprout on his nose. “By the way, as I’ve said many times, AA has quite a history for turning people’s lives around. Why don’t you give them a try? What could it hurt?”
He sprang from his chair and, hands fisted, leaned on her desk. She scowled at the stink of whiskey on his breath. “Look, I’m not some jerk barfly from a dirty Pennsylvania steel town.” His eyes bulged. “You know I come from one of the oldest families in Ohio. I have an MBA from Harvard. I’ve made three different agencies big money. And I know I can create the best ad agency this town that thinks it’s a city has ever seen.”
Liz rose from her desk. “Then I suggest you create a business plan―they did teach you how to write a business plan at Harvard, didn’t they―and take it to the bank for a loan.” She jerked the hem of her linen jacket. “Now, I have work to do.” She strode to the door, but before she could open it, he grabbed her arm.
“You’ve never forgiven me, have you? She froze, her face a rigid mask.
“Let go of me.” Addy freed her and she opened the door. He left without another word.